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how is making thinking?

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Jerome Bruner - Psychologist / Cognitive Learning Theory


A regular visitor to the Reggio Emilia schools in the 1960’s, Bruner describes the value of developing imagination - it’s wider significance, not just as a tool for storytelling:

"Cultivating imagination is the first thing, but it isn’t enough to read fairytales. It is imagination that saves us from the obvious and the banal, from the ordinary aspects of life. Imagination transforms facts into conjecture.


Even a shadow cast onto the floor is not only a shadow: it is a mystery. Try drawing one, and you will realise.

One day, in a Reggio municipal nursery school, I was observing some 4 year old children and a teacher who were projecting shadows and making efforts to draw them. The concentration was absolute, but even more surprising was the freedom of exchange in expressing their imaginative ideas about what was making the shadows so odd, why they got smaller and swelled up or, as one child asked: 'How does a shadow get to be upside down?' The teacher behaved as respectfully as if she had been dealing with Nobel Prize winners. Everyone was thinking out loud. 'What do you mean upside down?' asked another child.


Here we were not dealing with individual imaginations working separately. We were collectively involved in what is probably the most human thing about human beings, what psychologists and primate experts now like to call ‘intersubjectivity’, which means arriving at a mutual understanding of what others have in mind.

It is probably the extreme flowering of our evolution as humanoids, without which our human culture could not have developed, and without which all our intentional attempts at teaching something would fail."

who is this? > Jerome Bruner

resource link > The Hundred Languages of Children


what do we mean - thinking by making?

there is special knowledge and understanding to be gained by making things

childhood plays a vital part in this innovative process


a historical perspective

evidence from the past  

art and decoration

observation, trial and error

origins of maths
patterns and geometry


facing the future

living in a digital age

how can this be creative?

new ways of thinking

telling stories

artificial lives


growing concerns

being ready for the unknown

a culture of testing

one size fits all

who else thinks like this?

Reggio Emilia Atelier

Jerome Bruner

Neil MacGregor
Sherry Turkle
Seymour Papert

Michael Rosen

Edward De Bono

Sudarshan Khanna