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Reggio Emilia Atelier - early childhood education method developed in Italy by Loris Malaguzzi


'The Wonder of Learning: The Hundred Languages of Children' is a term often used to describe the pre-school Reggio Emilia Atelier experience in Italy for 3 to 6 year olds. The meaning of this term is illustrated in detail in the book 'In the Spirit of the Studio - Learning from the Atelier of Reggio Emilia' (publ. 2005) Giovanni Piazza, atelierista (studio teacher), says:

"A first encounter for children with materials is to explore and act on them, this is a necessary step in the children’s process of knowing… When we consider a material by itself in the way it is presented to a child, or when we just begin to explore it, it is too soon to speak about the language of a material…


It is through interactions between a child and a material that an alphabet can develop. As children use their minds and hands to act on a material using gestures and tools and begin to acquire skills, experiences, strategies and rules, structures are developed within the child that can be considered a sort of alphabet or grammar.

This alphabet or grammar, of the use of materials, has to be discovered by children in partnership with adults. It is essential for children to acquire knowledge of materials, gain competence with them, and use them in a variety of ways."


In the same book Charles Schwall, (an atelierista in USA), says:

"The atelier is a workshop for children’s ideas that manifest through the use of many materials.

The ways in which children invent with materials are often unexpected and surprising - therefore it is important for the adults who work with children to adopt an attitude of freedom and open-ended possibility toward the children’s work. The atelier environment can facilitate new understandings about children’s cognitive and expressive processes. The products that children make can also be very useful in revealing their knowledge… Words are often not enough."


For teachers in Reggio Emilia 'being confused' is also an important aspect of learning. They often begin a project with no clear sense of where it might end, and to purposely allow mistakes to happen. Truly open-ended exploration.
who is this? > Loris Malaguzzi

resource link > Lella Gandini: In the Spirit of the Studio

what do we mean - thinking by making?

there is special knowledge and understanding to be gained by making things

childhood plays a vital part in this innovative process


a historical perspective

evidence from the past  

art and decoration

observation, trial and error

origins of maths
patterns and geometry


facing the future

living in a digital age

how can this be creative?

new ways of thinking

telling stories

artificial lives


growing concerns

being ready for the unknown

a culture of testing

one size fits all

who else thinks like this?

Reggio Emilia Atelier

Jerome Bruner

Neil MacGregor
Sherry Turkle
Seymour Papert

Michael Rosen

Edward De Bono

Sudarshan Khanna